Tuesday, September 11, 2012

The Write Way to Exercise the (Writer's Block) Demons

Fortunately, we did not have to re-construct and instruct our "reader" to re-create the above structure!

After the first official day of school, I learned a lot about my writing style, practice, and overall process. When I write, I have a tendency to be madly in love with the free writing. No editing. No re-reading and re-writing. Just sheer, don't give a fack and throw all the words to the wind and let them land wherever and however they get onto the page. Typically, I type my free-writes and initial drafts, which may come as a surprise to some of my classmates because I write profusely in my notebook during class. But that's in large part due to me being a kinesthetic learner. I need to do something with my hands while listening to a lecture or sitting through a meeting. If I'm forbidden to write during class or work meetings, I would go mad. My attention span would be shorter than a gnat.

My writing seminar is titled, Voices (for obvious reasons I don't think I need to explain but let me know if you need me to elaborate, more than happy to do so). Our professor, writer Eric Olson, led writer-reader exercises. One individual was the writer while the other participant was the reader. The writer had to construct building blocks and instruct the reader to re-construct the writer's design. Both writer and reader were facing opposite directions and the writer was the only one that could speak and provide instruction. It was fun watching the writer describe how they organized the building blocks to the reader. Seeing the reader re-build, in most if not all cases, something very similar was exciting.

What did it teach me?

To be mindful of what I am trying to communicate to my reader since the reader may interpret what is being communicated differently. Want to learn a variation of this exercise? Check out Casey Reas artist talk earlier this year at The Creators Project here. Lots of fun AND I had the opportunity to meet Reas (nice guy!).

1 comment:

  1. It is possible I am a kinesthetic learner, as well. Thank you for this post. I always assume the reader and the listener of my creative work may respond to imagery etc., with an unintended intensity, repulsion, affection or repulsion. The is the free fall of the creative experience. It all can be lost in translation.

    With academic writing, a certain type of approach, breadth of language and assurance of qualifiers is expected. Being mindful of what you are communicating, knowing it may be critiqued through a delicate and thoughtful process would seem to be something natural a student and/or artist should do.

    I find it necessary to even have a good rest, a shift of energy through exercise or meditation or even walk away from my work be it academic, journalistic or creative.
    Spacing myself from the complexities I am weaving or responding to can provide the gentle tweak in perspective necessary to draw it all in or draw it out for reflection.

    I commend you on approaching your own challenges publicly on the blogosphere.
    It shows a confidence in your process, as imperfect as it is. Long live imperfection.

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